Tuesday, October 30, 2012

Symmetry gallery - how a 'one off' turned into a whole new thing.

Some somewhat 'wild and and crazy' advice:
One of the best things about photoshop or any kind of image making is you can come up w/ an image ( that might turn into a 'theme')... and then 'kick the can down the road'.
Save whatever half baked thought you had, come back to it later and bake it a little more. This is something you should try as often as possible, what you do just might blossom into something new, keep doing a bit of work on an image then.. keep kicking the can down the road! ... and adding adjusting something.
It applies to darkroom work also.

Almost 20 years ago, i printed this image:


It seemed like a 'one off'/one of a kind' at the time.

I have always liked the circular grooves in the sand that a few blades of grass can carve, blown by the wind, it seems to remind me of a clock. Every time i see this, i shoot a few pix, whether it's film or pixels.










I've always liked mandalas, for over 40 years - fascinating stuff.
6 or 7 years ago I did a digital image inspired by the darkroom print above that was sort of symmetrical, sort of mandala-ish, and i turned it into something else, still thinking of it as 'one off'. My old 'art director' muscles kicked in, loving typography, i created the roman numeral numbers on the 'clock'. The shadows work like a sundial, casting themselves onto the hour.



The idea of symmetry like this kept popping up, in numerous images, impossible to ignore.
Then, when my dad died a few years ago, my step mom sent me a few things of his that she thought i should have. The shirts were nice, he was about my size, he had good taste.
But the best thing.... was this pocket watch!




That's how people did it, a long time ago, it wasn't strapped on your wrist.
So i shot some pix of it, and scanned it too.
Put them all into this blender called a 'brain'......
and it became:


I guess I have to call it a 'Palm clock', I can't think of anything better.

The idea of symmetry really kicked in at this point.


I shot a really nice petro-glyph in Nevada 4 years ago:



...and then duplicated it 3 times, spun them 90 degrees each, added a scan of a cheapo compass i had, added some landscapes, and came up w/ this:


How did i get from the beginning to this end? (but it is NOT an end, make no mistake about it, it will continue!).....I have no idea.

Just keep... "kickin' the can down the road"! and workin' on something!


Larger images, as always, at a page on my site, including a few on this theme not included above, and some small PSD files of a few images for your edification:

www.bobbennettphoto.net/BeachBlog_2012/Symmetry/index.html
 
This months 'whatever catches my eye' file?

Here's a couple that relate to this month's symmetry topic:

Miniature Worlds Digitally Assembled From Hundreds of Photographs by Catherine Nelson
By Christopher Jobson
Posted Friday, Oct. 26, 2012, at 7:00 AM ET



http://www.slate.com/blogs/behold/2012/10/26/catherine_nelson_s_miniature_world_photography.html

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Here'a site worth bookmarking:

http://www.thisiscolossal.com/

...and a good article, also on topic for this post:
The Geometric Food Art of Sakir Gökçebag

http://www.thisiscolossal.com/category/photography/
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Last post, I included a link to a guy who applied this technique to San Francisco, using shots taken after the earthquake in 1906, and blending them w/ present day SF.
Now someone has applied this to Europe.

Photo montage shows Europe's past blending with present
Europe's war-torn past is never all that far from the present. This becomes eerily clear in "Ghosts of History," a series of haunting photographs that overlay images from France during World War II with present-day pictures of the same locations.

http://news.yahoo.com/photos/ghosts-of-history-slideshow/

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Why Polaroid Was the Apple of Its Time
By Geeta Daya

"It’s easy to forget now, but instant camera maker Polaroid once matched the mythos — and ubiquity — of Apple. Much like Steve Jobs, founder Edwin Land was single-minded in his determination to create unique products with a strong affinity for design. For Jobs, Land was an all-time hero.

In the new book Instant: The Story of Polaroid, New York senior editor Christopher Bonanos traces the dramatic rise and near-collapse of one of America’s most iconic companies."

http://www.wired.com/design/2012/10/instant-the-story-of-polaroid/

http://www.slate.com/articles/arts/books/2012/10/great_polaroid_snapshots_the_history_of_polaroid_cameras_.html
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It's still called the Beach Blog isn't it?
OK time for one last link... to the ocean...
Friday, September 28, 2012 10:06am PDT
Sailors capture spectacular footage of rare dolphin super pod encounter
By: Pete Thomas, GrindTV.com
http://www.grindtv.com/outdoor/blog/35322/sailors+capture+spectacular+footage+of+rare+dolphin+super+pod+encounter/

Saturday, September 29, 2012

My photoshop sketch gets me into trouble...sort of.

...Maybe a better way of saying it would be the P'shop sketch 'bit off more than i could chew' in the darkroom.
I've been a darkroom diehard for over 30 years now. It's the most fun you can have with your clothes on, ya know? I will never give it up until i get alzheimers (I will soon be 61 YO! Yikes!) and can't find my way there anymore. Or darkroom paper and chems completely become unavailable. Which ain't gonna happen anytime soon. A lot of products have been discontinued, but replacements have either sprung up, or there's another product that's a good substitute.
An example?... for many years my film of choice was Agfa 100ASA, souped in Rodinal.
Agfa is gone but i find Ilford FP5 to be pretty good - it builds up density a bit faster, but i can live with that. The formula for Rodinal is old enough that it is in the public domain, so another company makes it, and calls it 'Adonal'.

I've been doing photoshop sketches for darkroom montage prints for a while, they've been a big help, and the darkroom print has always worked out fine... until this one.
Here's my sketch:



I used some layer options and multiple overlays in ways I just couldn't replicate in the darkroom, though I sure as hell did try. And it's not that the darkroom version was bad... it just wasn't what I expected or hoped for.

Here's how the layers work, from the bottom up:
1 - image of the old gas station
2 - a white gradient that lightens the top part/sky a bit.
3 - a levels layer that lightens all below.
4 - the sky, w/ a layer mask that blends out the bottom, so the landscape horizon ends before the area of pavement in front of the gas pumps begins.
This is set to a layer options setting of 'lighten' - this is the part that darkroom can't do, that got me in trouble.
5 - a duplicate layer of the sky, layer option 'normal' but dialed back to 70%.
6 & 7 - just a levels layer that crops the image - i add guides that are the crop, marquee that, invert the selection, & add a levels layer, slamming the white point all the way to the left, turning everything outside the guides to white.
8 - one final levels layer to adjust contrast.

So here's the darkroom print:



This worked... sort of. It still doesn't have the transparent feeling of the sketch.
Is this bad?... or good? As always, it's all in the eye of the beholder. I wasn't completely happy, i wanted to explore this one further.

So I tried some hand-coloring on this one. Hand-coloring is a way of re-focusing attention, rebalancing how things are perceived.



Moderately successful...

I went back to the scan of the darkroom print, and did some Photoshop work on it, attempting to get the same feeling as the sketch. It seemed much improved, much closer... b-b-b-but still not the same... as the sketch.



So i caved in, came over to the 'dark side'(digital).



Which of all versions is better?
It's "viewers choice". I really can't choose, or decide. They're all interesting.

Larger versions of all images:
(including a small PSD file of the digital version)

www.bobbennettphoto.net/BeachBlog_2012/OuttaGas/index.html

Next month? - Digital - turning a 'one off' into a whole new thing.

Two changes to the blog:

#1 - I have closed the comments option - all it does is collect spam.
I would be happy to hear from anyone:
"bobbennettphoto at yahoo.com"



#2 - The 'whatever catches my eye' file is now at the end of the post.

Here's this month's collection:
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Vintage Photo Eye Candy: A 1940s Guide to Becoming a Pro Photographer

http://www.theatlantic.com/video/archive/2012/09/vintage-photo-eye-candy-a-1940s-guide-to-becoming-a-pro-photographer/262824/

The Atlantic
Friday, September 28, 2012
   
Vintage Photo Eye Candy: A 1940s Guide to Becoming a Pro Photographer
By Kasia Cieplak-Mayr von Baldegg

Sep 25 2012, 11:18 AM ET 9

"Portraits, illustration, news, cinema -- this 1946 film from the Your Life Work series describes the many career tracks open to young people interested in photography and cinematography. Courtesy of the Prelinger Archive, the educational reel is full of tips for hobbyists and aspiring pros.

Skip to about 4:20 to learn about photojournalism. The dry narration doesn't glamourize the industry, pitching it as a sensible professional path: "Contrary to popular opinion, a press photographer's life is not just one big thrill after another! He does shoot exciting scenes from time to time, but such events are the exception. Most of his work is routine in nature, consisting mainly of pictures of people and places connected with the news.

The archival footage of journalists and their retro gear will warm the hearts of any die-hard fans of analogue image making. Check out the shot at 5:00 of newsreel cinematographers perching tripods on the roofs of their cars to get a high-angle shot:

Don't miss another gem from the Your Life Work series, which pushes careers in typesetting".

Click on the link for this one! A Career in typesetting? You might think that digital had completely buried this one, but from what I have read, after some significant exposure to digital, many are coming to appreciate traditional/analog stuff.

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1906 + today, earthquake photo mash-ups
(A great concept, very well executed)

Photographer Shawn Clover created “photo mash-ups” of the ruins with the modern day cityscape, in hopes of going beyond the typical setup of “then and now” photos. The project began in 2010, with the second installation out a few weeks ago.


http://blog.sfgate.com/cityinsider/2012/08/31/1906-today-earthquake-photo-mash-ups/

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Beloved High-Speed Film Camera Faces Extinction
By Jakob Schiller

For more than five decades, the Charles A. Hulcher Co. filled an important niche in the camera world. Their cameras, which shot up to 100 frames per second, were used to make photos of everything from Space Shuttle launches to Major League Baseball games.

But as digital cameras came to dominate, Hulcher saw business decline steeply, and today the company is down to just four employees.

“Digital has pretty much killed film cameras,” says Richard Hill, 75, who has been at the Hulcher company since the 1950s.

http://www.wired.com/rawfile/2012/08/hulcher-high-speed-cameras/

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What does 'limited edition' mean? - open to interpretation, it seems.

http://www.pdnonline.com/features/What-Does-Limited-Ed-5916.shtml

Hope you enjoy all the above, stop back in next month.