Wednesday, July 19, 2017

A digital montage that looks like darkroom

I've been doing darkroom/film montage for 3+ decades, i've developed a sixth sense for what i shoot on film, and a similar gut-level compass for finding the right two or three negs to weave together.
For the last few weeks, i've been wallowing in digital montage, color pix & symmetry, i stopped and wondered - "i am losing my B and W bearings?". 
So one Sat. AM i opened up a neg i'd made in Joshua Tree, and looked for it's 'companion', it didn't take long for one neg to step up to the plate, volunteer, and fit right in, nicely. It's sort of a sandwich in that the lower layer is 'normal' but the next layer up is on 'screen'. Yes, there are blending masks going on.

Here's the negs:

And here is the montage, it feels a whole lot like my analog darkroom work!

Making this confirmed my faith that some skills ( photomontage among them) are like riding a bike - once you learn, you never forget. Old muscles may be dormant, but only that - "dormant" - waiting to be used.
And those instincts lead me to make images that have some marvelous details - in this one, the rock formations at the top blend into the clouds on the bottom neg, most 'serendipitously' - if that is a word Webster's would accept.

Here's a screen shot of the PSD file:
(If you want to see this larger than blogspot will display it, drag it to your desktop, open in a browser)

The layers from the bottom up:
1 The Joshua tree 'window'
2 The Joshua tree 'window', cleaned up
3 A black gradient, making the bottom pretty much pure black
4 A levels layer, some contrast, the hi-lites got a kick in the ass
5 The Red Rock canyon landscape, with a mask layer blending out the bottom
6 One final levels adjust, that increases contrast on layer 5

This blog software won't show this at the size i loaded - if you'd like a larger view? - click on it, drag and drop it to your desktop, open that in a browser.

Several rules you should observe while building come thing like this:
• start at the bottom (obviously!) and add a layer at a time, don't change the order, that will affect the effect - yes, i am wording that correctly.
• good idea = to double click on the layer title, name it appropriately. I don't always follow my own rules if the layer palette tells me all i need to know.
* Third rule - TAKE YOUR TIME! Save... and return again, later.

Finally, to tackle the big question 'what does it mean?'.....
Sometimes i have something resembling an answer, sometimes not. I don't like to try too hard on that one, it either happens or not.
There is a lot of tension in this one - at the bottom you are looking out from a cave, from under an overhang, of sorts. At the top you are looking up, at towering eroded cliffs. Maybe there isn't a simple answer, but something more complicated - a question - can radically different points of view coexist?
There is one spot in the center where the two images flow together.
And maybe that's what this means - there can be some unity, some confluence amidst the turbulence, the contrasts, the antagonisms of images, and landscapes before us.

Saturday, June 24, 2017

Old muscles never need a tune up

Where do ideas/images like this one come from?
Where does inspiration for images like this reside?
Ask me no questions, I'll tell you no lies. Perhaps it comes from pondering our recent drought... which has now reversed itself, and may well become floods this spring/summer. The west has been shaped by water, you can't help but look at the desert and not see that no matter how dry it is now, it's sloping playas were formed by water, massive amounts of it.
In this image you are looking at Mono Lake, the horizon in the middle, and what's called tufa rising from it.
Just below the horizon, a few tumbled boulders leak a bit of the water into the foreground - the lake is ...drying...?
The tumbled boulders are from Tioga Pass (above Yosemite), at 8,000+ feet elevation. What and how does anything get tossed around at that elevation??
Don't ask me, ask a geologist.

Here's the contact sheets:

And here's a digitally colored version:

I've always liked this one frame, just one person, sitting... thinking, i suppose., or hope.
A tree grows behind him, several 'rolling stones' frame him.

From the 'whatever catches my eye' file, this one deserves your attention:

Many of the other creatures we share the planet with are a lot smarter than previously given credit for.
And we are plundering the planet in more ways than you can imagine: