Monday, September 4, 2017

Encryption machine


The basic/most important neg was shot at the 'Musee Mechanique' in SF/Cliff house, 
which was situated below the classy restaurant level:


Yes, this is the montage, sand and sky:









Cliff House over the years.

Don't know where the idea for this one came from, after all i did it many years ago, in 2008.
The basic shot is of the guts of an old fashioned player piano, you wind it up somehow, the wheels start spinning, and the perforations in the paper roll in the middle strike the keys of the piano. The clouds and the sand, above and below? Which is being recorded?... or played back as the case may be? A tantalizing enigma, come to your own conclusions.  

"A player piano (also known as pianola) is a self-playing piano, containing a pneumatic or electro-mechanical mechanism that operates the piano action via pre-programmed music recorded on perforated paper, or in rare instances, metallic rolls,............"


Another great item to be experienced here:





Here's more from the Musee Mechanique:



'Pick a card, any card'



Secrets



Wednesday, July 19, 2017

A digital montage that looks like darkroom

I've been doing darkroom/film montage for 3+ decades, i've developed a sixth sense for what i shoot on film, and a similar gut-level compass for finding the right two or three negs to weave together.
For the last few weeks, i've been wallowing in digital montage, color pix & symmetry, i stopped and wondered - "i am losing my B and W bearings?". 
So one Sat. AM i opened up a neg i'd made in Joshua Tree, and looked for it's 'companion', it didn't take long for one neg to step up to the plate, volunteer, and fit right in, nicely. It's sort of a sandwich in that the lower layer is 'normal' but the next layer up is on 'screen'. Yes, there are blending masks going on.

Here's the negs:





And here is the montage, it feels a whole lot like my analog darkroom work!


Making this confirmed my faith that some skills ( photomontage among them) are like riding a bike - once you learn, you never forget. Old muscles may be dormant, but only that - "dormant" - waiting to be used.
And those instincts lead me to make images that have some marvelous details - in this one, the rock formations at the top blend into the clouds on the bottom neg, most 'serendipitously' - if that is a word Webster's would accept.


Here's a screen shot of the PSD file:


The layers from the bottom up:
1 The Joshua tree 'window'
2 The Joshua tree 'window', cleaned up
3 A black gradient, making the bottom pretty much pure black
4 A levels layer, some contrast, the hi-lites got a kick in the ass
5 The Red Rock canyon landscape, with a mask layer blending out the bottom
6 One final levels adjust, that increases contrast on layer 5

This blog software won't show this at the size i loaded - if you'd like a larger view? - click on it, drag and drop it to your desktop, open that in a browser.

Several rules you should observe while building come thing like this:
• start at the bottom (obviously!) and add a layer at a time, don't change the order, that will affect the effect - yes, i am wording that correctly.
• good idea = to double click on the layer title, name it appropriately. I don't always follow my own rules if the layer palette tells me all i need to know.
* Third rule - TAKE YOUR TIME! Save... and return again, later.

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Finally, to tackle the big question 'what does it mean?'.....
Sometimes i have something resembling an answer, sometimes not. I don't like to try too hard on that one, it either happens or not.
There is a lot of tension in this one - at the bottom you are looking out from a cave, from under an overhang, of sorts. At the top you are looking up, at towering eroded cliffs. Maybe there isn't a simple answer, but something more complicated - a question - can radically different points of view coexist?
There is one spot in the center where the two images flow together.
And maybe that's what this means - there can be some unity, some confluence amidst the turbulence, the contrasts, the antagonisms of images, and landscapes before us.