I walked past it on my way in to the canyon, and didn't 'see' it...
but on my way out, it knocked me in the head, like a 2x4 - the reflection of the landscape in the water, that's the key to this one.
I shot an entire roll on this one, on my Pentax 6x7, this is just part of it:
I had done PSD sketches of this one... and had overlaid an image of a wheel, a neg taken at the end of the trip:
Funny how whatever i take on any particular trip just kind of 'finds a place' w/ other images, on the same trip. Is it because it is... 'the same trip'?
As usual, when i got down to printing, the sketch was just a starting point. I exposed the landscape first, dodging out the blank sky & some of the distant rockscape, and holding back the water at the bottom a bit. Then I added a much more interesting sky, both top and bottom, and developed one copy of that, I had 2 more sheets left.
So I added the 'wheel', once again exposing top and bottom one at a time.
So it's 5 exposures all together. Took less than 2 hours, when i get goin', i really bang it out, not much hesitation.
I was recently featured at a site called 'Analog Advocates', the interview has a good bit to say about my process if you're interested:
The site itself is pretty interesting, guess alotta people haven't given up on film and it's many possibilities.
In the 'whatever catches my eye' file this month, 2 items, one very amusing:
And one, very thought provoking:
The Susan Sontag Guide to Photography in the Age of Digital Culture
Happy shooting & printing, to one and all!